It can’t get much newer than the just released Tremors sequel, A Cold Day in Hell, so we figured it was a good (bad?) enough choice for our commentary this month. Being the sixth Tremors film, it’s pretty hard to come up with much to say about what has always been just a tick above Sharknado on the quality scale. Despite more earnest beginnings with the original 1990 film, the series has dwindled in and out of relevancy as it tackled threats like “assblasters” and recently made a resurgence after 2015’s Tremors 5: Bloodlines. This might be a drinking one, folks. Break out your cheapest box wine.
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